Arcane – This is one of the most surprising things I’ve seen recently. It’s based on League of Legends, a game I’ve never played, but I think it might be better if you don’t know the game, because you won’t know who’s “important” or “expendable” going in. There’s a lot about the show that’s great – the music is written for the show, to the show, and because of that, the non-soundtrack songs are exceptionally impactful. The animation is genuinely mind-blowing. It’s not “Spider-verse”, because it’s trying to do something quite different. But it’s one of the most beautiful shows I’ve seen. The quality of the animation, not just the art, is incredible. Facial animation, how specific shots are framed, etc. – every bit of detail is really well done. And the characters aren’t one-note, even if they seem that way at the start. Good characters are flawed – sometimes even kinda dumb. Bad characters have recognizable, often sympathetic motivations and depth. There aren’t clear good guys and bad guys, though there are definitely people with different moral alignments and tolerances.

It’s a show that wormed its way into my mind in a way that doesn’t happen very often. There are things about it that aren’t great – some of the political stuff is slow & frustrating, for instance. But a lot of stuff is really neat – it starts out fairly slow, intentionally. There’s a nice sense of worldbuilding and pacing, and when things take off, the change in pace feels different, because of the setup. But the structure of it – the basic themes that echo through the show again and again are really nicely done. I’d highly recommend it, and if you’re interested, please stick with it through the end of Ep. 3.

One Piece Live Action – For a completely un-adaptable, utterly insane original manga, the Live Action version of One Piece is surprisingly good. The cast does a great job, and some casting is just spot-on, particularly Zoro and Buggy. I’m still getting used to Luffy – Inaki Godoy’s accent is so divergent from my internal voice for Luffy that it’s taking a long time to get used to. This may be one big thing re: folks who’ve read the manga vs. folks who are coming to the show fresh.

They’ve made a lot of smart decisions about what to keep and what to cut in order to condense things into a manageable season. I’m not a huge fan of all the Garp/Koby content, and I’m finding Koby, while they *look* perfect, the constant, “Oh, oh!” kind of character, while consistent for Koby, is annoying at scale. Which is why they weren’t this critical in the OG. But it’s not Vicious in Cowboy Bebop bad (which was unwatchably, offensively, laughably awful).

But I dislike the writing and direction. The writing for almost everything that isn’t a direct adaptation from the original dialogue is flat, lifeless, and predictable. The direction and editing is slow and awkward, and their reliance on wide-angle low shots is, once you see it, comically overdone. I get that they’re trying to mimic certain shots from the manga, and those frames are often quite extreme. But as a show, there’s so much warping at the edges of the frames that it looks cheap. And for a show that was like a $100M project… it’s a decision that has a pretty big negative impact to me.

That said, it’s an impressive adaptation overall. And it’s such a huge step *up* from Bebop (again, offensively awful) that I’m hoping w/ S2, Tomorrow Studios can take another positive step forward. Better writing, better pacing, better framing. The set design is great. The cast is pretty darned good. The structural choices have been mostly good. Here’s hoping.

Red Team Blues – Cory Doctorow’s book about an old cybersecurity guy who finds a McGuffin that causes him some problems. It’s a fun, light read – mostly takes place in the Bay Area in places I’m largely familiar with, which was nice, and “in tech”, so that was another layer of familiarity. But not in the Silicon Valley way – in sort of an anti-SV way, which was more refreshing. I’d read a followup, and apparently there’s one coming.

Three Body Problem – I just started this, so it’s hard to say how much it’ll stick with me, but the opening chapter, even though it’s a translation from Chinese, has some of the most vivid imagery I’ve read. It’s haunting and beautiful and terrible, all at once.